电影 欧洲的某个地方

欧洲的某个地方

影片信息

  • 片名:欧洲的某个地方
  • 状态:HD中字
  • 主演:Artúr/Somlay/Miklós/Gábor/Zsuzsa/Bánki/
  • 导演:Radványi/Géza/
  • 年份:1948
  • 地区:其它
  • 类型:剧情/
  • 时长:内详
  • 上映:未知
  • 语言:其它
  • 更新:2025-03-09 12:27
  • 简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
  • 关注公众号观影不迷路

  • 扫一扫用手机访问

 立即播放  sdm3u8

选择来源

  • sdm3u8
4.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
206次评分
4.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
206次评分
给影片打分 《欧洲的某个地方》
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
我也要给影片打分

扫一扫用手机访问

首页 电影 剧情 欧洲的某个地方

播放列表

 当前资源来源sdm3u8 - 在线播放,无需安装播放器
 倒序

剧情简介

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

为你推荐

 换一换
  • 更新HD
    7.0 珂珂·马歇尔/Thomas Gipson/Katie Page/
  • HD
    8.0 阿妈/今晚食乜餸?(港)/What'sforDinner/Mom?/Mama/gohanmada?/
  • 更新HD
    9.0 莱尼·麦考利/马修·麦考尔/达里亚斯·布莱克/乔纳森/豪利/普韦思/阿拉娜/豪丽/普韦思/卡利·福塞特/Alvin Tam/Sasha Piltsin/Brandon Giddens/Shay Galor/Lyndsey Wong/Neville Bowman/Pup Johnston/Vincent Ross/Truman Tremblay/
  • 更新HD
    6.0 汤姆·汉克斯/罗宾·怀特/保罗·贝坦尼/凯利·蕾莉/米歇尔·道克瑞/格威利姆·李/大卫·芬恩/奥菲利亚·拉维邦德/尼古拉斯·平诺克/妮基·阿姆卡-伯德/安雅·马可·哈里斯/碧悠·加德斯顿/劳伦·麦奎因/本·威金斯/乔纳森·阿里斯/乔尔·欧莱特/莉莉·阿斯佩尔/莱斯利·泽米吉斯/丹尼·麦卡勒姆/米切尔·马伦/比莉·加德斯登/德克斯特·索尔·安塞尔/斯蒂芬妮·西亚达坦/
  • 更新HD
    5.0 久保史绪里/平祐奈/纲启永/樋口幸平/
  • 更新HD
    5.0 艾米·哈格里夫斯/C·J·威尔逊/艾琳·戈洛瓦娅/塞思·阿林·奥斯汀/温·赖克特/Jason Abrams/William Roth/Jason J. Little/Chavohn Nakia/
  • 更新HD
    9.0 Emil Falke/Rudi K?hnke/菲利浦·勒萨吉/维多利亚·卡门·索内/Ingrid-Marie Thorlacius Troelsen/Charlotte Uldall Baatrup/
  • 更新HD
    7.0 白兰/陈扬/王哥/李冠章/何玉华/矮仔财/
  • 更新HD
    1.0 小雪/田中伟登/吉泽悠/吉田美佳子/山崎竜太郎/札内幸太/井上肇/朝仓亚纪/中川雅也/
  • 更新HD
    2.0 Sunny Suwanmethanon/玛查·茉西玛恩/Somchai Kemglad/邦沙敦·宗威拉克/
  • 更新HD
    5.0 伊洛娜·巴谢利埃/朱莉·加耶/洛朗·吕卡/Louise Legendre/Eugénie Derouand/
  • 更新HD
    8.0 Crystal Allen/April Hale/Rachel Walters/
  • 更新HD
    9.0 娜杰日达·卡列加诺娃/Maksim Ivanov-Marenin/维克多·杜布朗拉沃夫/安娜·杜布罗夫斯卡娅/弗拉基米尔·维诺格拉多夫/Mariya Sokova/弗拉迪斯拉夫·维特罗夫/戴安娜·埃纳卡耶娃/Daniil Goldfeld/列奥尼德·格罗莫夫/扬·察普尼克/Sergey Belov/Vadim Kolganov/弗拉基米尔·斯捷克洛夫/Aleksandr Astashenok/安娜·罗多纳亚/Anton Bagrov/伊琳娜·索博列娃/维塔丽雅·科尔尼扬科/艾琳娜·托嫩茨/
  • 更新HD
    7.0 马特·狄龙/艾妲·弗尔奇/胡安·帕布罗·乌雷戈/基卡·乔治奥/Polydoros Vogiatzis/安西·安德烈奥普卢/Vassilis Halakatevakis/Marina Argyropoulou/科斯塔斯·安达洛普洛斯/
  • 更新HD
    1.0 未知
  • 更新HD
    5.0 吴中天/萧淑慎/张君明/蔡振南/陈慕义/张洋洋/
  • HD
    4.0 重新开始就在眼前/回来之后重新开始/回家之后再重来/重新开始是在现在之后/在回家之后重新开始/リスタートはただいまのあとで/
  • 豆瓣高分
    HD
    10.0 最后一笑/The Last Laugh/最卑贱的人/Der/letzte/Mann/
  • 更新HD
    9.0 Sam Asante/Sebastian Deery/Francisca Dennis/Francesco Filice/薇薇卡·福克斯/汉娜·戈登/Yun Liu/Dennis Nimoh/Reece Presley/Sean Rey/Mark Rival/雷扎·索勒/Kristi Woods/
  • 更新HD
    10.0 Brytnee Ratledge/Tommi Rose/Nikolai Soroko/Elisabetta Fantone/Marie Debrey/

最新资讯

更多

评论

评论已关闭